  In this homage, it is my intent to reach beyond the political wailing and gnashing of teeth to remind us that the Divine often comes through via the "least of these". The Christmas story has many parallels to the struggles of present day migrants crossing Arizona. It is my way of blending both historical and true-to-life contemporary elements, and of putting a human face on the "aliens" among us. My story goes like this: The treacherous journey through Mexico and into the Sonoran desert overcomes the pregnant Maria, and she goes into labor. The pollero (coyote) of her group leaves her to fend for herself. She seeks shelter under the spreading branches of a mesquite tree. Maria sits on her backpack, covered by her jacket. Her bare feet have blisters from many miles of walking. The man Jose is older than Maria and could be her husband, a relative, or a sympathetic fellow crosser. He wears dark clothing and the iconic back-pack with a gallon jug of water. In his right hand is a staff hewn from a mesquite branch, which may also indicate he's made this trek before. Maria wraps the newborn Jesus in a bordado (hand-embroidered tortilla cloth) -- a memento given by her mother back home for her new life in the E.E.U.U. (United States). Hummingbirds are an auspicious blessing in most indigenous cultures, and three of them visit the baby. The birth of this tiny human stirs the curiosity of some local desert wildlife... a javelina and her baby and a jackrabbit look on. A bobcat gazes from atop a saguaro behind the mesquite tree. ( Yes, they really do hang out on top of saguaros!) Crawling from the rocks towards Maria's battered shoes is a scorpion - a reminder that life is a precarious journey. (A scorpion logo also appears on many cartel drug packages.) Instead of a star, there is a Border Patrol helicopter. It is not clear whether it has discovered Jose & Maria's hiding place... Navidad en Arizona is part of the vision I seek to portray through art: a compassion that can stand in awe of what "the least of these" carry -- rather than stand in judgement of how they carry it. - Linda Magdalena Victoria
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* La Corúa was a large water serpent that lived in springs of water and protected them. They say it had a cross on its forehead and cleaned the veins of water with its long fangs or tusks. It was a shy creature, but could sometimes be caught sunning on the rocks of the spring. According to Sonoran folk beliefs, if one killed the Corúa, the spring would dry up. Vanishing water sources and economic pressures have pushed the folklore of La Corúa to the dustbin of history on this side of the border, but La Corúa remains in the minds and memories of elders in the Pimería Alta. Serpents have been sacred for millennia to indigenous peoples throughout the Americas and are respected as guardians of water sources and bringers of rain.
Background header painting: Baboquivari Peak - the monolith landmark defining the Baboquivari mountains southwest of Tucson. The center of Tohono O'odham cosmology, it is sacred and is the home of I'itoi, their Creator and Elder Brother. The peak is visible from Casa Grande in the northwest, south into Mexico. (I'itoi is also the figure in the O'odham 'Man in the Maze' design.) * Beliefs and Holy Places - A Spiritual Geography of the Pimeria Alta - James S. Griffith, University of Arizona Press, 1992 |
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